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Sassafrass, Cypress & Indigo : ウィキペディア英語版
Sassafrass, Cypress & Indigo

''Sassafrass, Cypress & Indigo'' is a 1982 novel written by Ntozake Shange and first published by St. Martin's Press. The novel, which took eight years to complete, is a story of three Black sisters, whose names give the book its title, and their mother. The family is based in Charleston, South Carolina, and their trade is to spin, weave, and dye cloth; unsurprisingly, this tactile creativity informs the lives of the main characters as well as the style of the writing. ''Sassafrass, Cypress & Indigo'' integrates the whole of an earlier work by Shange called simply ''Sassafrass,'' published in 1977 by Shameless Hussy Press. As is common in Shange's work, the narrative is peppered with interludes that come in the form of letters, recipes, dream stories and journal entires, which provide a more intimate approach to each woman's journey toward self-realization and fulfillment. The book deals with several major themes, including Gullah/Geechee culture, women in the arts, the Black Arts Movement, and spirituality, among many others.
== Plot Summary ==
The story starts with Indigo, the youngest daughter of the family, sitting amongst her beloved hand-made dolls, which each have names and personalities that emerge over the course of the novel. Before the reader learns much about the other sisters or mother, Indigo begins menstruating, is gifted an old fiddle by Uncle John, and consequently initiated into a cult-like group of pre-adolescent boys called the Jr. Geechee Captains. Indigo’s first section is full of informal mappings, remedies, and tales such as “Moon Journeys: ''cartography by Indigo''” and “To Rid Oneself of the Scent of Evil: ''by Indigo''”.〔 Soon, some of those cartographies are replaced by recipes as the family prepares for and celebrates Christmas, with the ever-present spirit of Daddy, the girls’ father, wafting through their annual traditions. Sassafrass and Cypress are back from school in New England and New York City, respectively, and the reader won’t see the four women together again until the very last pages of the book.
The reader next meets Sassafrass in Los Angeles, where she lives with Mitch, a struggling and self-destructive jazz saxophonist. Sassafrass is working to find her creative niche, still weaving and cooking, but pining to get to an artists’ colony in New Orleans. She eventually leaves Mitch in LA, moving to San Francisco to live with her younger sister Cypress. Sassafrass exists on the periphery of Cypress’ bright and full world for some time, planning to dance and write in hopes of regaining herself outside of Mitch’s abuse. After a while, Sassafrass returns to LA and Cypress decides to pursue a professional dance career, which eventually lands her back in New York City.
There, the middle sister finds community amongst feminist and/or lesbian dance collectives, along with a new way of expressing through her body. Idrina, along with Ixchell, Laura, Celine and others, become important characters in Cypress’ image of her self, and after breaking off an intense romantic relationship with Idrina, the dancer found herself unmoving and frequenting late-night dive bars. Coincidentally, in one of those bars Cypress found Leroy McCullough, an old musician friend from San Francisco. After a fateful night together, Cypress and Leroy seemingly reinvigorate each other’s creativity, living and loving together until Leroy leaves for a summer European tour. During Leroy’s absence, Cypress revisits Idrina and recounts an arguably post-apocalyptic dream where women are punished for childbirth and men are locked away.
During that same summer, Cypress joins a dance company that raises money to support the Civil Rights Movement and Leroy asks to marry her before she starts on her first tour with the group. The reader is then taken back into Sassafrass’ world, where she has been living in The New World Found Collective with Mitch for over a year. There, Sassafrass is undergoing the process of initiation into santería as Mitch slips further into a downward spiral. To shake the bad spirit of her man, Sassafrass performs a sort of exorcist as the deity Oshun came into her body and she decides to return home to the South, without Mitch.
Finally, the reader re-enters Indigo’s spheres, where she has been studying violin and midwifery in her Charleston town. Sassafrass has come home and is in labor, with Indigo delivering the baby and Cypress and Mama close at hand, coaxing “a free child”〔 into their world.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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